Record Silhouettes: Laser Cut Vinyl Art by Carlos Aires

They may not play music any longer, but these records definitely have something to say. Artist Carlos Aires created this series, entitled “Love is in the Air”, by using a digital process to laser-cut shapes drawn from images of pornography and disaster and juxtaposing them with innocent scenes of animals and children.

It may not be obvious at first, but this laser-cut vinyl art is more than just simple shapes. What is suggested but not shown is just as much a part of each work as the silhouette itself, and even the text on each record imbues subtle meaning – such as the “Touch Me” title on the body of a muscled man.

Mostly known for his photography, Aires is certainly known for deviating from the conventional in his art, which consists of uncommon subjects like dwarfs and parks known for gay sex cruising in a hazy, fairytale-esque style that imitates romantic painting.

Raised in Spain and currently dividing his time between his birth city of Málaga and Antwerp, Belgium, Aires earned an MA in Photography at Ohio State University. His entire portfolio can be viewed on his website, CarlosAires.com.

I, Rubikcubist: 30 Twisted Works Of Rubik’s Cube Art

Rubik’s Cubes are meant to be solved, right? Wrong – the art of cubingtakes on a different meaning under the 8-bit eyes of Invader. Twisting dozens, even hundreds of Rubik’s Cubes into precise patterns of pixelated pointillism, Invader updates artistic techniques pioneered by Picasso, Duchamps, Seurat and others into a new and distinctly modern form: Rubikcubism.

(image via: Gradient Magazine)

Who or what is Invader? One clue is the name of this former French street artist’s website: Space-Invaders.com. Indeed, Invader’s first pieces of what has been dubbed Rubik’s Cube Folk Art were representations of early 8-bit arcade game characters such as the digitized alien enemies from Space Invaders.

(image via: Space-Invaders)

As the above angled photo shows, it doesn’t take many Rubik’s Cubes to form a simple representation of an 8-bit video game character – in this case, just nine. You’re probably thinking what Invader was thinking back in ‘05… with more Rubik’s Cubes, more complex and detailed images could be formed.

(images via: Space_Invaders and The Frisky)

The above image of student anarchist Florence Rey is shown both in-progress and completed (above, lower right). As can be seen, the image used a Polaroid instant photo of Rey as its source. Rubik’s Cubes were then twisted into the proper sequence of pixels and then affixed to a backing board. Invader needed a total of 221 Rubik’s Cubes to complete the Rubikcubism work in late 2005.

(images via: Space-Invaders)

Even complex images with wide variation in color, shade and intensity can be successfully rendered using Rubikcubism but as always, the more cubes (and thus, more pixels), the more detail which can be rendered. The above Atomic Bomb blast took 294 Rubik’s Cubes to create and the six colors of the basic Cube (red, orange, yellow, white, green, and blue) were sufficient to capture and display the image.

(images via: Space-Invaders)

Although most any image can be represented with properly prepared Rubik’s Cubes, faces – especially familiar ones – spark recognition much faster. Our brains are hard-wired to perceive faces in less than ideal conditions; forming them from Rubik’s Cubes allows for the same effect, regardless of the fact that both the Rubik’s Cube and 8-bit animation are both less than 40 years old. Just in case their names are overly elusive, from the top left: Gene Simmons of KISS, Jack Nicholson in the film The Shining, and Frankenstein. Below is a Rubikcubism triptych of notorious terrorist Carlos the Jackal.

Rubikcubism isn’t Invader’s sole artistic niche, not is he the only artist creating pictorial folk art from the ubiquitous geek icon. Robbie McKinnon (above), an electrician from Toronto, Canada, created much of his so-called Cube Works in the late 2000s and has, at last word, moved on to other forms of visual expressive art.

(image via: Torontoist)

McKinnon’s version of Frankenstein, above, shows many similarities and some differences to Invader’s portrayal of the classic Hollywood movie monster.

(images via: Torontoist and Space_Invaders)

Here are versions of Leonardo da Vinci’s Mona Lisa side by side, above: McKinnon’s on the left used 315 Rubik’s Cubes, Invader’s on the right used 330. Curiously, the artists use different techniques to create what appear to be astonishingly similar end results. McKinnon uses Photoshop to pixilate his source images, then manipulates the individual Rubik’s Cubes manually. Invader uses a computer program to dictate the exact arrangement of facets required for each Rubik’s Cube. Either way, the finished works measure about 3 by 4 feet and weigh around 80 pounds each.

(images via: Space-Invaders)

While both McKinnon and Invader have chosen, for the most part, to use Rubikcubism to put a new face on pop culture, Invader’s body of work covers more ground with a particular focus on crime, criminals and anti-heroes as depicted in films. Those above include (from top, clockwise) Warren Beatty and Faye Dunaway in 1967’s Bonnie & Clyde, Robert De Niro in 1976’s Taxi Driver and Al Pacino in 1983’s Scarface.

(images via: Space-Invaders)

True life anti-heroes and villains are also fodder for Invader’s Rubikcubism tributes: from above top left and working clockwise, we have Al Capone, Charles Manson and the late Sex Pistols bassist Sid Vicious posing for a well-publicized mugshot.

(images via: Jonathan Levine Gallery and Videdesign)

Music is an integral part of modern pop culture and that fact hasn’t escaped the attention of Invader or exhibitors like the Jonathan Levine Gallery in new York. Rubikcubism constructs of some famous album covers include, at the extreme top left to right: The Clash and Iron Maiden. Below from above upper left and moving clockwise are homages to The Beatles, The Velvet Underground, Nirvana and Roxy Music.

(images via: Game Set Watch)

In the summer of 2009, the Lazarides Rathbone gallery in London, UK, put on an exhibition titled Low Fidelity, featuring Invader among others. Music-inspired works by Invader included Rubikcubism album covers from Michael Jackson and The Doors.