Archivio | pictures RSS feed for this section

Mind-Bending Digital Photo Manipulation by Erik Johansson

30 Giu


In the Age of Photoshop, few images are surprising anymore – but every now and then, you come across one that makes you do a double take and spend a few moments thinking, “how’d they do that?” Swedish photographer Erik Johansson has a portfolio packed full of such images, blending reality and artificiality together so seamlessly, one wonders whether he’s an artist or a magician.


Johansson seems to live in a surreal world where roads unfurl like fabric, giant mirrored objects dangle from the sky, humans spring forth from the soil like potted plants and disturbingly elastic faces pop out of joint to swallow oranges whole.


The Swedish artist takes all of his photos himself and manipulates them digitally in Photoshop CS4, spending 10-20 hours on each photo. “I got my first digital camera when I turned 15, I did some changes to the photos and thought it was fun. But I really started in 2007 when I bought my first SLR camera. That is when I started to do some serious photo manipulations,” Johansson told Abduzeedo.


In an interview with Don’t Panic, Johansson said, “My goal is to make pictures as realistic as possible, but at the same time impossible. Many photographers try to look weird, so I try to make my shots as plausible as possible. I would say I try to use humour a lot and I rarely have a didactic message. Sometimes I want to tell something, but mostly I want people to interpret.”


“A lot of young people think they’re fascinating but the older generation don’t really believe in Photoshop. They think photos should be a pure image. Myself, I’m never satisfied with them but I think that’s a healthy instinct.”

Unbelivable Pics

16 Mag

Great art is, by necessity, innovative and adaptable. Break the rules, it defies logic, and twists in ways we have never seen before. The photography of Miroslav Tichý take everything we think we know about photography and turns, giving us a catalog of works that is at the same time, regardless, significantly incomplete and full. Where many photographers are used to treat their work with gentle hands, burns Tichý corners heating them and then stack the photos in stacks and let succumb to events. Fortunately, there is still enough of his work, that we can allow a glimpse into the mind of this eccentric and brilliant artist.

1 2